Wednesday, 28 February 2018

Watch Gordon Ramsay put some questionable things in his mouth on The Late Late Show

Tuesday on The Late Late Show, host James Corden invited Chef Gordon Ramsay for a segment of Fill Your Guts or Spill Your Guts, a game that requires participants to either eat something disgusting or tell a damaging truth — and things got gag-worthy.

On the revolving table of death — er, “food” — was clam juice, chicken feet, salmon ice cream (with bits of salmon in it because YUM), cow tongue, grasshoppers, shot glasses filled with hot sauce, tall glasses of pickled pigs feet juice, and chopped bull penis. The Brits then preceded to take turns asking each other scathing questions, which they either had to answer or eat something of the other’s choosing.

Questions ranged from inquiring which product Corden has been paid to endorse that he doesn’t actually use to which celebrity would Ramsey not welcome back to one of his restaurants. As if the stakes weren’t disgusting enough, the men began mixing items for the other to ingest. At one point, Corden presents chicken feet dipped in salmon ice cream and smothered in clam juice for his opposer to try. This is why your mother told you not to play with your food.



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Wreck-It Ralph 2 directors break down the sequel, new trailer

Keeping up with the internet’s constant evolution also involved figuring out exactly what path through the web would prove most interesting for Ralph and Vanellope to browse as they travel the Ethernet ether in search of a replacement part for Vanellope’s game, Sugar Rush. (Broken…yet again!) The directors equate the endless narrative opportunity to the way ambitious auteur filmmakers fancy Manhattan. “It’s like if you said, ‘I want to make a movie about New York. We’re going to tell a New York story.’ That can go a million different ways,” says Moore. “But what type of story do you want to tell in New York? So we really started with our two main characters’ friendship and the difference in their approach.”

As Moore puts it, “Ralph and Vanellope are two people from this little town, this arcade world, who seem to everyone else that they’re exactly the same in their point of view, but upon going to a bigger place, we start to see what cracks develop between these two. We very quickly come to realize they don’t have the same point of view. Ralph likes the comfort of his small town. And Vanellope, upon going to the Internet, starts to think, ‘Just being here is expanding my horizons.’ We bounce the story off that dynamic between the old and the new.”

“It just reinforced to me that people are hungry for these films to be more than just entertainment,” echoes Moore. “They’re hungry for discussions that they have in their car as they’re driving home from the movie theater. They don’t want to just go to laugh or to cry. They want them to mean something.”

Check out the new trailer for Ralph Breaks the Internet: Wreck-It Ralph 2, which will hit theaters Nov. 21, 2018, above.



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This Is Us recap: 'Vegas, Baby'

Kevin asks his father why he’s not doing anything special, to which Jack replies, “I’m not allowed to this year.” The kids then decide to assume the anniversary duties: They’ll create a lavish set piece, prepare an elaborate meal, and handle all of the research and prep that goes into making a special night.

There’s an interesting thread here between the Pearson siblings as kids and as adults: In the episode, we that they’re blind to the desires and needs of those around them. In the past timeline, they assume their parents are headed toward divorce and try to remedy that in a panic, when in fact Rebecca just wants something low key — the very opposite of what the kids will ultimately deliver. In the present, things are much more complicated. So goes adulthood.

The main events are the bachelor and bachelorette parties happening for Toby and Kate, respectively — both in Las Vegas, but strictly separate. Kate’s new BFF Madison is totally dedicated to planning duties for the bride-to-be — her presence seems to be a source of mild annoyance for Toby — while Toby is anxious about befriending and impressing his soon-to-be-brother-in-laws. He’s flying out a few “fillers” too, but with his own younger brother not particularly interested in being there for him, Toby’s most invested in making these brotherly bonds happen.

Unfortunately, the Pearson boys are a little distracted. Last we saw on This Is Us before the Olympics, Deja had shown up on Randall and Beth’s doorstep. We pick up where we left off in that regard. Deja comes inside and confesses that her mother, Shauna, hasn’t been able to pay the gas bill and that they’ve been without water for weeks. “We need $89.34,” she admits. “I didn’t know where else to go.” Randall suggests setting up a direct deposit, but Deja rebuffs him, pleading only that he give them the cash to get them through before case worker Linda’s next scheduled visit. Randall obliges, but he’s not about to let it go.

Beth wants to have a good time in Vegas, leave behind the stresses of real life for a night, but Randall’s eyes are glued to his phone: He can’t get Deja out of his mind. As he and Beth drive on the strip, they start bickering, with Randall coldly suggesting he can’t “detach” from Deja like she can. “Deja is no longer a part of our home,” Beth retorts. “It’s not fair to anyone involved to keep acting like she is.” Whether or not she actually believes that, she makes clear that Randall’s comments hurt her.

And then there’s Kevin: Still in recovery, trying to stay on the straight and narrow. He enthusiastically greets a hotel maid at his Vegas hotel room, pointing out the minibar and counting the bottles of booze (27) before asking her to monitor his intake — or, ideally, lack thereof — whenever she goes to clean the room. “Coming to Vegas at this point in my life is like my Mount Everest, and I’m going to conquer it,” he promises.

Randall and Kevin greet an enthusiastic Toby and his “rat pack,” each equally oblivious to the roles Toby hopes they’ll take in his pre-wedding celebration night. At dinner, things start off smoothly enough. Kevin’s drinking soda with lime, and he hilariously reminisces about what he did for Randall’s bachelor party: Take him to a seedy club, only for Randall to convince two of the strippers to quit their jobs and go back to school in 20 minutes. “He takes care of people,” Kevin quips. Toby loves their back-and-forth, affectionately calling it the famous Pearson “rivalry.” But both eventually lose interest. Kevin, still preoccupied by his steep recent downfall, spots an old castmate and darts from the table. Randall’s still obsessively checking his phone and finally gets a call from Deja; he, too, leaves the table in a heartbeat. Suddenly, Toby’s left alone with the fillers. (Recap continues on page 2)

Kate, meanwhile, is more apprehensive about spending quality time with Beth. She notes she’s barely spent five minutes alone with her, ever, but at the same time her anxiety seems rooted in something deeper. At least Madison’s there to talk her way through any awkward silences. And in all honesty, the women seem to be having a ball by the time they’re at the male strip club — Kate’s cheering as Beth goes up to dance with the men, and the dollar bills are flying all around them.

It’s a sharp contrast to where we find the bachelor side of things. Kevin goes off to speak with Emma, a co-star in the Ron Howard film he made — the release of which he calls “the beacon of light” for what’s been an otherwise immensely difficult period for him. But Emma informs him that she was cut from the movie after Howard decided to take the movie in a different direction — especially worrying to Kevin, since a good half of the scenes he shot were with Emma. And so, another setback: He informs Toby’s friend he’s not feeling well and rushes back up to his room, where he obsessively works out while eyeing the minibar, trying to discipline himself.

Randall, meanwhile, takes the call from Deja. She says she was just checking in, that she saw something on TV she remembered her old foster dad loved. Randall maintains his serious, concerned tone — asking if the heat’s back on, if they’re getting by, if she needs anything. “It’s just hard to call when my mom’s around,” Deja says somewhat cryptically. “We’re making it work.” Randall is hardly convinced, and a brief glimpse of Deja on the phone outside, in nervous anticipation, indicates he’s right not to be.

Randall crashes the male strip club; by the time he gets there, Beth’s flat on her back on the stage, ogling the dancers around (and above) her. She finally makes it back to the party in a delighted haze, only to see her husband waiting for her. “I didn’t expect to see you getting your freak on with Magic Mike,” he says after she questions why he’s there. He tells her that Deja called, but that she said nothing was wrong; just that he could hear, between the silences, that there was something she wasn’t telling him. Beth is having none of this: “I sit inside of your anxiety every damn minute of every day,” she snaps, pleading for one night away from it. Their blow-up gets deeply personal and ugly. Kate tries intervening, which only makes things worse — Beth asks her to butt out, Kate refuses, and suddenly the fight is going three ways. “He’s my husband,” Beth reminds her. Kate’s reply stings: “I know: He’s made it perfectly clear who’s more important to him.” And you thought Toby’s bachelor party was going south?

If Kate’s outburst seemed to come a little out of the blue, it’s in service of some surprisingly rich character work that’s bound to be fleshed out down the line. Randall goes to find Kate, who’s alone at a slot machine drinking cosmos, to apologize and figure out what she meant. Kate says she prided herself on knowing Randall was “the coolest” before anyone else — in a brief moment from the past timeline, we see Young Kate marveling at how at home Randall seemed in the public library — and what it felt like to “lose” him to Beth after they’d bonded so intensely in the year following their dad’s death. (Look forward to learning more there.) “You will never lose me, not even if I tried,” Randall tells her in a sweet moment. Kate later goes to apologize to Beth, admitting she’s had an insecurity issue around “strong women,” and they find some common ground — with Beth, in a tearful speech, admitting just how hard Deja’s absence has been on her, even if she doesn’t show it. Randall, Kevin, and Toby spend time together too; the Pearson brothers find and take a walk with Toby after Kate explains to Randall why it was wrong of him to leave Toby behind.

Toby particularly gives Kevin some tough advice: Call up Ron Howard (he’s in his phone!) and tell him he’s making a mistake. Kevin’s initially reluctant but musters the courage, saying exactly what Toby told him to. Fortunately, Kevin misunderstood the situation based on Emma’s comments. Ron informs him that his father-son scenes with Sylvester Stallone — remember those days? — emerged as the heart of the film, and that he’s still prominently featured. He tells him to buy a tuxedo: Good things are coming.

In an episode in many ways about the struggles of communication — Kevin teetering on the brink after misunderstanding something; Randall and Beth feuding as they conceal their true emotions; Kate’s complicated feelings about Beth being left unsaid for years — we go back to Jack and Rebecca, in the past timeline, as a model of how to make things right. They enjoy their cornish hen prepared by Kevin on the roof, and Rebecca admits she didn’t like not getting Jack an anniversary gift — even if it’d ultimately be upstaged. Jack then muses on the meteor shower, reciting what Randall taught him about their science. “Meteors are always up there, whizzing around — we just never notice them,” he says. “It’s only once in a while that we actually see one, just how spectacular they really are.” He then turns to Rebecca with the kind of sweeping, touching romantic gesture that everyone could’ve used in this episode of light emotional bruising: “I don’t need anniversaries to see you; I see you every day. You are my daily meteor shower.”



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Big Little Lies brings back Adam Scott for season 2

After previously revealing that all our favorite Monterey ladies will be back for the second season of the HBO drama, the network announced Tuesday that Adam Scott will be joining them.

The Parks and Recreation alum, who currently stars on Fox’s Ghosted, will reprise his role as Ed Mackenzie, the bearded husband of Reese Witherspoon’s Madeline. In season 2, Ed is “forced to confront major challenges in his marriage” — with some of those troubles presumably stemming from Madeline’s prior affair with a local theater director.

Season 2 is based on a story from BLL author Liane Moriarty, with David E. Kelley penning all seven episodes. Andrea Arnold takes over directing duties from Jean-Marc Vallée for the new season, which HBO says “will explore the malignancy of lies, the durability of friendships, the fragility of marriage and, of course, the vicious ferocity of sound parenting. Relationships will fray, loyalties will erode … the potential for emotional and bodily injury shall loom.”



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ABC orders Alec Baldwin talk show, sneak peek set to air post-Oscars

An Emmy winner for his time on Saturday Night Live as Donald Trump, Baldwin has officially landed a talk show at ABC, EW has confirmed. The network has ordered eight episodes for later this year, but a sneak peek of Sundays with Alec Baldwin will air after this Sunday’s Academy Awards and feature sit-downs with Jerry Seinfeld and Kate McKinnon.

“I’m excited about this show and grateful to ABC for taking a chance on me in what is, admittedly, a crowded field,” Baldwin said in a statement. “I’ve enjoyed doing my podcast for WNYC and look forward to the challenge of doing a show on camera.”

“Alec’s intellect, wit and wealth of life experience afford him a voice and perspective we haven’t seen before in this format,” added ABC Entertainment president Channing Dungey. “When we shot the pilot, we knew immediately we had something special that we couldn’t wait to share. We are excited to be working on a series that showcases Alec as one of today’s most compelling conversationalists and highlights the type of intimate discussions that he has captured on his podcast for years.”

Talks between Baldwin and ABC, the network for which he hosts Match Game, were first reported in December.

THR first reported the news of the show’s official order.



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Ellen DeGeneres Pulls Out All the Stops to Get Jimmy Kimmel to Cry on Her Show

But on Tuesday, he finally got a bit misty-eyed on someone else’s show.

During an appearance on Ellen ahead of hosting Sunday’s Oscars ceremony, Kimmel couldn’t help but get emotional when DeGeneres explained that she had arranged for a room in Los Angeles Children’s Hospital to be named after Billy.

“You get very emotional, and I love that about you,” DeGeneres said before airing a video showing off the new plaque. “We have a surprise for you…We called our friends at Children’s Hospital L.A., including Billy’s surgeon, and we have named one of the rooms of the heart institute floor in honor of Billy…That will forever be the Billy Kimmel room.”

DeGeneres went on to announce that several of Billy’s nurses were sitting in the audience.

Watch the full clip below.



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Monday, 26 February 2018

Kevin Smith reassures fans after surviving widowmaker heart attack

as the famed director announced that he recently suffered from a “massive” heart attack but is alive and recovering.

“After the first show this evening, I had a massive heart attack. The Doctor who saved my life told me I had 100% blockage of my LAD artery (aka ‘the Widow-Maker’),” he posted early Monday morning alongside a selfie taken in his hospital bed, where he’s surrounded by tubes and wearing a hospital gown instead of his signature hockey jersey. “If I hadn’t canceled show 2 to go to the hospital, I would’ve died tonight. But for now, I’m still above ground!”

Fans of the Clerks director were quick to respond on social media.

“Kevin we don’t know each other too good but I have loved you since Clerks and I’m praying my ass off for you cause I believe in the healing power of prayer. Can you please pray with me people!?” wrote Chris Pratt. “Praying for you. I will continue to. You inspired me with Clerks when I was a senior HS. I’m tagging my Lb/rb football coach who showed me the movie cause he believed in me and knew I’d be inspired. @hodge1916.”

Chris Hardwick, the host of Talking Dead, on which Smith is a frequent guest, wrote, “Holy s—. @ThatKevinSmith seems to be okay but he almost wasn’t. Kev is a wonderful force of good and humor in this world and I’m proud to be his friend. We are lucky we didn’t lose him so PLEASE send him HUGS!!!”

See the social posts below:



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Johnnie Walker Whisky Bottles Have a Female Logo Now. Meet 'Jane Walker'

an attempt to draw more women to the world’s best-selling scotch and acknowledge a broader push toward gender equality.

A limited U.S. edition of the whisky will have a striding woman on the label — rather than the traditional top-hatted man — and carry the name Jane Walker. Brand owner Diageo Plc is hoping the move widens the appeal of the product while celebrating women, said Stephanie Jacoby, vice president of Johnnie Walker.

“Scotch as a category is seen as particularly intimidating by women,” Jacoby said in an interview. “It’s a really exciting opportunity to invite women into the brand.”

Diageo isn’t alone in putting a female face on a traditionally male mascot. KFC, the fried-chicken chain run by Yum! Brands Inc., tapped country singer Reba McEntire in January to appear as Colonel Sanders in its latest marketing campaign.

How a Chemist Helped Give Johnnie Walker a Boost

The Jane Walker launch is the latest part of the brand’s “Keep Walking America” push, which began in 2016. The campaign is an attempt to speak to a broader audience, with ads spotlighting Latinos and veterans.

Scotch whisky volumes grew 2.1 percent between 2002 and 2017 in the U.S., according to the Distilled Spirits Council of the U.S., a trade organization. And Johnnie Walker has outpaced many competitors, growing 18 percent last year — boosted by a revival of cocktail culture.

Diageo, based in London, also is looking to increase female representation internally. Its board will be 50 percent women in April, Jacoby said. The company also is calling on advertising agencies to put forward at least one female director as part of any work pitch.

Jane Walker will appear on 250,000 bottles nationwide in March. For every bottle produced, Diageo is donating a dollar to organizations that promote women, including Monumental Women and She Should Run. While this batch of bottles is a limited run, this isn’t the last of Jane.

“We really see Jane as the first female iteration of our striding-man icon,” she said. “We like to think of our striding man and our striding woman as really walking together going forward.”



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The Walking Dead: Andrew Lincoln on 'unbearable' farewell

who have grown together as an on-set family over eight seasons. However, both families were torn apart by the events of Sunday’s midseason premiere of The Walking Dead, titled “Honor.”

Carl finally was felled by the walker bite he revealed in the midseason finale, and it was an emotional goodbye both on camera and off. We chatted with Lincoln to get his behind-the-scenes take on the “unbearable” farewell, saying goodbye to Riggs, and what it all means moving forward on the show.

Is there a particular moment that emotionally really got you while you were filming this?
I think all of it. The final farewell is really unbearable. The crew is just astonishing. I said to them during the church scene that you could hear a pin drop the whole night. I was so focused and it went through the night until daybreak. We came out to the outside and it just kind of happened — Chandler and Danai and I all got sort of giggly that we’ve done this thing, and we all hugged each afterwards. Yeah, that was a real special moment because you go into these big scenes with a little bit of apprehension of, Will I get it right and will I do justice for this man’s legacy on the show? I thought that, but we all went home satisfied that night.

Tell me your reaction when showrunner Scott M. Gimple first told you about this idea of taking the time jump from the comic books and instead turning it into Carl’s deathbed vision for the future?
I thought it was breathtaking. And it was interesting because at first in the first episode I was convinced it was maybe a double reality — one with Rick’s literally dying under the tree and another where everything is glorious. Scott took a look at me and he said, “No.” And I said, “Oh God.” And it just made me even more confused. So it’s Carl’s vision for the future? What does that mean? And then it clicked when he told me what was happening. It’s this iconic scene from the comics, but played very smartly.

I think the one consolation was we rarely get to say goodbye on our show. You don’t get to have these kind of moments. People are ripped from you unceremoniously in this world, and so for Carl to be able to offer this gift, this vision for the future — it’s absolutely gut-wrenching, but it’s rather beautiful at the same time and sets up a very interesting problem for Rick.

Rick says, “I’m going to make it real. Carl, I promise. I’m going to make it real.” What’s the immediate effect of this event? Will we see an immediate change in Rick in terms of his approach or is he going to have to find a way to win this war while also honoring Carl’s wishes in the way they win the war?
Yeah, I think he’s going to change in that he’s got a big conflict in: Do I honor my child and his dying bedside wishes, or do I go my own way? I mean, that’s the conflict that he faces, which is quite complicated. Does he stay in the middle of this battle for his community and the civilization in the future? But ultimately, as he said, it’s at what cost? What happens after? So I think it will be the challenge that he faces — will humanity prevail over that? I think that’s ultimately at the heart of the battle.

So what can you say about that final shot of Rick in the field by the tree clutching a wound in his side? Very ominous, sir.
It doesn’t look good does it? [Laughs] It doesn’t look good at all.

What’s next? What can you say about episode 810?
This is an unexpected, twisty-turning kind of back end. There are a lot of threats out there. There are a lot of places spinning, but certainly from the point of view of Rick and Michonne, we pick up the morning after, and we see what’s left and whether or not these people can keep fighting for their future and risking their lives, with a legacy to live on.

It’s an edgy pace for these last eight episodes. This is why I like it. It felt like there’s a lot going on, and it’s in the wake of this absolutely cavernous loss. And it makes, certainly for me, a very exciting and interesting back end to try and thread a lot of needles to make sense of something that is incomprehensible for Rick in the middle of an action-packed war.

The Walking Dead airs Sundays at 9 p.m. on AMC. For more TWD intel, follow Dalton on Twitter @DaltonRoss.



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Get to Know the Closing Ceremony Anthem Singer Who Captured Everyone's Hearts

from flying glowing panda bears to Johnny Weir’s most bedazzled fashion statement yet, there was one star who really captured the attention of viewers and athletes alike: Oh Yeon-jun, the talented young singer who performed the Olympics anthem at this year’s Winter games closing ceremony.

While it was a widely acknowledged fact that Oh Yeon-jun had talent to spare, what some viewers may not have know is that the 11-year-old singer has already been a viral star in his own right before the Olympics, thanks to his success on the Korean talent show, We Kid.

Oh Yeon-jun’s former life as a talent show contestant wasn’t completely forgotten by some corners of the Internet, who took to social media to share their memories of the younger, but just as talented singer.



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Charmed reboot finds another sister in Shades of Blue star

Sarah Jeffery, a name from NBC’s Shades of Blue and Fox’s X-Files revival, has joined Melonie Diaz as one of the witchy sisters of The CW’s new Charmed pilot.

While the original Charmed focused on Prue (Shannon Doherty), Piper (Holly Marie Combs), and Phoebe (Alyssa Milano) — Doherty was replaced in later seasons with Rose McGowan as Paige — the “fierce, funny, feminist” reboot will focus on three sisters in a college town who go from cutting down the patriarchy to cutting down demons when they learn they are witches.

Jeffery will play Madison, the bubbly youngest sister who isn’t thrilled about the whole witchcraft thing, especially if it conflicts with her goal of getting into a sorority.

According to Deadline, one of Madison’s three sisters will be Mel (Diaz), an outspoken activist who loses her way after a family tragedy, and actor Ser’Darius Blain (Jumanji: Welcome to the Jungle) will play the filmmaker boyfriend of Macy, the yet-to-be-cast third sister.

Jennie Snyder Urman of Jane the Virgin created this new take on Charmed with Jessica O’Toole and Amy Rardin, who penned the pilot. Snyder Urman will act as showrunner and also executive produce with O’Toole and Rardin.



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This Is Us stars finish filming season 2: 'Can't wait to get back for season 3'

The NBC family drama finished production on its current season on Friday. “Officially wrapped #ThisIsUs season 2,” tweeted Milo Ventimiglia, a.k.a. the Pearson patriarch who is very much still part of the series. “Hope y’all enjoy the last few eps. Already can’t wait to get back for season 3.”

Mandy Moore (Rebecca) echoed those sentiments on Twitter while giving her stamp of approval on the last three episodes of the season, the first of which airs Tuesday at 9 p.m. ET/PT.

This Is Us creator Dan Fogelman tweeted footage of the final scene being finished with Sterling K. Brown and his two onscreen daughters, Eris Baker and Faithe Herman.

Fogelman told EW that the first of the final three episodes will “have some lightness and some fun.” “We feel like fans almost deserve a break, because it’s been really heavy,” he noted. As for the finale? “Ultimately, we’re culminating at a big, moving family event, which would presumably be Kate’s wedding.”

Read more of his hints about the final three episodes right here.

To see what Milo Ventimiglia had to say about Jack’s life and death, head here.



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Catwoman screenwriter says 's— movie' had 'zero cultural relevance'

John Rogers, one of the credited screenwriters on 2004’s Catwoman starring Halle Berry, raised eyebrows on social media this week when he declared the film a “s— movie” with “zero cultural relevance.” 

With the rise and success of Black Panther, one user on Twitter wondered why the Marvel film was getting so much praise for cultural representation when Catwoman did not.

“As one of the credited writers of CATWOMAN, I believe I have the authority to say: because it was a s— movie dumped by the studio at the end of a style cycle, and had zero cultural relevance either in front of or behind the camera,” Rogers responded. “This is a bad take. Feel shame.”

Berry starred in the Pitof-directed Catwoman as Patience Phillips, a shy designer who’s transformed into Catwoman after seemingly falling to her death. It marked a drastic departure from the villain known to DC Comics fans as Selina Kyle. As Rogers went on to explain, the character “couldn’t be Selina Kyle because of an insane rights issue.”

Though he was credited as one of six writers on the film, Rogers also clarified he was “fired off the movie” because he “kept arguing with notes that’d make the movie ‘very, very bad.’ Which I said out loud. At meetings.”

Rogers praised Pitof’s “eye for action,” but tweeted that “nobody in power knew what movie they wanted.” He then pointed to a scene from the film’s third act in which Patience is “dressed like a Québécois stripper” and was “beating the s— out of a makeup exec in a pantsuit.”

Berry herself called Catwoman “a godawful piece of s— movie” when she accepted one of the film’s four Razzie awards in 2005. She called the distinction “a lesson learned, and I hope to God I never have to see these people again.”



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Friday, 23 February 2018

Josh Duhamel supports ex-wife Fergie following national anthem performance

Josh Duhamel had nothing but good things to say about his ex-wife Fergie in response to her widely panned national anthem performance at this year’s NBA All-Star Game.

Appearing on The Ellen DeGeneres Show, the actor was reminded by the host that Fergie has “been slammed and hammered” for her unusual rendition of “The Star-Spangled Banner” across social media (and among some celebs). Duhamel noted that while it wasn’t exactly a career peak for the singer, her talent still speaks for itself. “I think she would probably admit that it wasn’t her best work, but the girl’s crazy talented,” he said. “She’s an amazing woman, an amazing human being really.”

Duhamel also touched on his own feelings about the vitriolic public reaction. “It’s hard to see somebody you care about get beat up like that,” he explained. “But that’s the business: You’re in the business, and you put yourself out there, and sometimes you win and sometimes you lose.”

Fergie herself has acknowledged the controversy around her performance and expressed regret in a statement. “I’ve always been honored and proud to perform the national anthem and last night I wanted to try something special for the NBA,” she said. “I’m a risk taker artistically, but clearly this rendition didn’t strike the intended tone. I love this country and honestly tried my best.”

When DeGeneres asked how Fergie was coping, Duhamel assured her there’s nothing to worry about. “Trust me: She’s fine,” he said. “She is about as resilient as they come.”



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AJ from Queer Eye is engaged and the Fab 5's 'gay hearts are exploding'

Thursday night, the show’s official Twitter account shared some delightful news about the subject of episode 4 titled “To Gay or Not to Gay.” Well, it turns out AJ, who was struggling with coming out, is now engaged to his boyfriend! We’re not crying, you’re crying.

“We’ve got some news that will make your week! AJ and Drey got engaged. Our gay hearts are exploding,” the Queer Eye tweet read.

The announcement was shared along with a heartwarming clip of AJ coming out to his stepmom, as well as some photos of him and his fiancé.

Tan France, the fashion expert on the show, replied to the Tweet saying, “Yay, what wonderful news!!!” Antoni Porowski, the show’s culinary master and internet crush, also replied to the news on social media.

“Couldn’t be happier about this news congrats, boys!!” Porowski wrote.

Since its premiere, the Queer Eye for the Straight Guy reboot has garnered praise from fans and critics alike due to its seamless combination of humor, emotional journeys, and triumphant makeovers. The series creator, David Collins, previously told EW that the reboot was for a new audience, noting, “if the original round was about tolerance, this time it is about acceptance.”

Queer Eye is now streaming on Netflix.



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Labyrinth will return to theaters for nationwide fan celebration

Jim Henson’s cult classic Labyrinth is heading back to the big screen for three days this spring as part of a nationwide fan celebration of the 1986 film.

Presented by Fathom Events in association with the Jim Henson Company and Sony Pictures Entertainment, the special screenings will take place April 29, May 1, and May 2. Fans are encouraged to attend in costume.

Labyrinth stars Oscar winner Jennifer Connelly in one of her earliest roles as Sarah, a teenager who must navigate the titular maze to rescue her baby brother. Along the way, she encounters David Bowie’s Goblin King Jareth, a role that has become a touchstone for fans of the musician and master of reinvention.

The screenings will also feature bonus content, including introductions by Connelly and Brian Henson (son of Jim), as well as an excerpt from the Jim Henson fantasy series The Storyteller. Brian Henson will discuss the “Soldier and Death” episode of the show, as well as more broadly the special effects techniques crucial to both Labyrinth and The Storyteller.

The film will screen at 2 p.m. and 7 p.m. local time on Sunday, April 29, and at 7 p.m. on Tuesday, May 1, and Wednesday, May 2, at participating theaters nationwide. Tickets go on sale this Sunday online and at participating box offices. Ahead of those screenings, Fathom Events is also bringing The Dark Crystal back to theaters starting Sunday.



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David Chang’s New Netflix Series Explores the Ugly Side of Delicious

Chang’s docuseries, Ugly Delicious, which hits Netflix Feb. 23, shows the celebrity restaurateur traveling the world with guests like acclaimed chef René Redzepi, food writers Jonathan Gold and Ruth Reichl, comedian Ali Wong and actor Gillian Jacobs to explore the ties between food and culture. Each episode uses a single type of food like “BBQ” or “Tacos,” as a lens to examine everything from immigration and racism to the complicated nature of cultural appropriation.

“It allowed us to go down that hole that a lot of people want to shy away from, because it’s wildly uncomfortable to talk about,” Chang told TIME. “Food, in some ways, is a very powerful tool to use as a vehicle to talk about the things that are sort of f—ed up.”

In one episode, Chang visits South Philly Barbacoa, whose owner Cristina Martinez is an undocumented chef from Mexico facing the challenges of keeping her business together while fighting for the rights of thousands of undocumented food workers in the U.S. In another, Chang highlights Houston and its emerging Viet-Cajun style as America’s next great food city. He goes high- and low-brow: uncovering proper Neapolitan-style pizza in Japan — but still celebrating Domino’s back in the States by shadowing a deliveryman during his route.

Chang also dives into food in the United States that comes loaded with history. The episode “Fried Chicken” tackles the racist history of the popular, ubiquitous food, detailing how chickens were initially kept by slaves but then became a stereotype tying black people to fried chicken in popular culture.

Fried chicken is also one of several dishes that brings Chang back to the subject of authenticity and appropriation. He brings up Hattie B’s, a fried chicken joint in Nashville that specializes in the region’s hot chicken, a style that involves spice blends guaranteed to make your eyes water. The restaurant, opened in 2012 and run by a white family, has received criticism for appropriating a dish traditionally served in Nashville’s black communities. Hattie B’s is now commonly credited for putting hot chicken on the national map, despite longtime hot chicken spots like Bolton’s and Prince’s feeding Nashville’s black neighborhoods for about 70 years.

The people behind Hattie B’s, including owner Nick Bishop Jr., “own up to” the criticism, Chang said, noting multiple generations of the Bishop family have been involved in the restaurant industry in the area. Chang said if his family took a similar trajectory, he could have ended up in the same position.

“It’s easy to criticize someone that is doing something from another culture,” he said. “Had I been raised in Nashville, eating all this amazing hot fried chicken, I probably would have also opened up a hot fried chicken stand.”

Chang’s views on appropriation still change as he learns more about what draws people to certain foods. The son of Korean immigrants, Chang in one Ugly Delicious episode talks about his instinctive dislike of anyone non-Korean who makes kimchi. While kimchi has only recently gained steam in the U.S. alongside the growing popularity of Korean cuisine, the fermented cabbage dish was an everyday staple in Chang’s house growing up, something he felt he had to hide from kids in school.

But Chang has since come around on such issues. He suggests that a non-Korean person wanting to make kimchi because it’s trendy might seek out a tutorial, and end up eventually learning about Korea’s culture and history. It may take time, but writing that person off for cultural appropriation would be a mistake because they were introduced to something totally new, he said.

“How do you actually do it in a way that’s meaningful? That’s the question that’s presented to all of us — telling a story that is respectful,” he said. “Sometimes, you just gotta let it play out. Part of it is letting people make mistakes.”

Chang has gone from feeling shame about his background to becoming actively proud of his heritage. The meals he’s accustomed to have become the “ugly delicious food” he wants to start serving to customers — something he explores in particular on the “Home Cooking” episode, which includes an appearance from his mother.

“The older I get and with the sheer passage of time, the more comfortable I am — not just comfortable, the more I admire where my parents came from,” he said. “And the things I was ashamed or even embarrassed about, I’m not anymore. I’m more willing to not only make those foods but to reconcile who I was and where I came from.”



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Nashville sets series finale date: What to expect from the final episodes

If you thought Nashville was going to slow things down for its final season, think again. In the show’s midseason finale, Deacon made the mistake of putting his hands on Brad, which will surely bring him legal trouble. And then there’s Will, whose steroid use caused him to collapse mid-performance in the episode’s final moments. “It certainly plays a bigger part in the second half [of the season] because now it’s an active issue in his life that he’s got to deal with,” showrunner Marshall Herskovitz says of Will. “He can’t avoid it anymore, and it has an impact on the lives of the people around him as well. That’s something we’re going to play.”

But Will won’t be the only one dealing with his issues when the show returns for its final eight episodes, starting Thursday, June 7 at 9 p.m. ET. As for Deacon and Jessie, Herskovitz says, “I think it’s clear they’re going to be tested. What you see in this finale, what I feel really good about is that, in some ways, it’s inevitable. Because of the particular character of Deacon, the particular character of Jessie, and the particular character of Brad, it was inevitable that this would happen. So it wasn’t manufactured, and it wasn’t manipulated; it sort of came out of who they are.”

And yet, Deacon will have someone else to worry about besides Brad. Nashville has cast Ronny Cox in the role of Gideon, Deacon’s father. “As soon as I heard we could maybe get Ronny Cox, that was it. I had no idea he was such a great musician. It’s a thrill for us to have him be able to sing and play on the show,” Herskovitz says. “He’s just the perfect person to play Deacon’s dad because as we’ve heard about this man, in the past, he was brutal, he was mean, he was a horrible father, and yet Deacon hasn’t seen him in a long time, and people change. One of the things that fascinates us as writers is: To what extent can people change? What does change look like? How is Deacon going to handle the father he has now versus the father he remembers from 30 years ago? That’s at the core of that story, and that’s why having somebody who’s as wonderful an actor as Ronnie Cox is such a gift for us.”

The show is also adding Mia Maestro in the recurring role of Rosa. Rosa is a dedicated follower of Darius’ moment who starts to have doubts. “I can’t say much about that except since she is one of the followers of the movement in Bolivia,” Herskovitz says, adding, “That tells you we’re going to Bolivia.”

And based on the teaser trailer above, it looks like Juliette might be wanting out of the movement. “I think it’s safe to say that Juliette’s coming back,” Herskovitz says. “What happens when she comes back, what she’s like when she comes back, I cannot talk about, but I think it’s going to be a great ride.”

Fans will have their questions answered by Thursday, July 26, which is when Nashville will air its series finale.



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Thursday, 22 February 2018

Guillermo del Toro defends The Shape of Water against copyright lawsuit

refuting claims that his Oscar contender ripped off a 1969 play from writer Paul Zindel.

“I have never read nor seen the play,” the film’s director and co-writer told Deadline. “I’d never heard of this play before making The Shape of Water, and none of my collaborators ever mentioned the play.” He further stated producer Daniel Kraus, also named in the suit, was never influenced by Zindel’s work.

“He didn’t know the play and has not seen the play, and that is the reason we are going to court,” del Toro said.

The lawsuit, filed against del Toro and Fox Searchlight on behalf of Zindel’s estate, claims The Shape of Water copied the plot of Let Me Hear You Whisper, which follows a cleaning lady at an animal experimentation plant who wants to set a dolphin free when it’s slated for brain dissection.

The estate’s attorney, Marc Toberoff, laid out 69 points of similarities between the work and del Toro’s film, which stars Sally Hawkins as a mute janitor who romantically falls for a caged fish creature while working at a top-secret government testing facility.

“I really cannot stomach the timing of this accusation,” del Toro said. “It’s pretty transparent what is happening here. To me, it’s actually a relief to take something from the arena of opinion into the arena of fact and law.”

The accusation of copyright infringement comes after del Toro’s film won two Golden Globe Awards (including best director), and received 13 Oscar nominations. Toberoff told EW over the phone that the idea that the suit was meant to derail The Shape of Water‘s Oscar chances “makes no sense whatsoever.”

“First, my client, [Paul’s son David] Zindel, has no pony in the Oscars race, he has no dog in the Oscars race,” he said, “and secondly, in a copyright infringement case, the infringing film’s profits are the key measure for damages. So it’d be against my client’s interest to hurt the film’s chances of winning as many Oscars as possible.”

Toberoff further explained Zindel hadn’t seen The Shape of Water, but was first directed to its similarities with Let Me Hear You Whisper by the “groundswell of reaction on social media from people who had read the play.”

“There’s no ill will intended here,” he added.

“Our story and the layers are completely and entirely complex, interwoven with Russian spies, the Cold War, female friendships that are so complex and more important than that, which are completely original,” del Toro explained to Deadline. “The trope of an animal being liberated could be found in anything from Project X to Splash, to Born Free and Free Willy, to Starman, to an episode of Hey Arnold! or The Simpsons. You could go on and on. You could also include The Day of the Dolphin, which in fact was written two years before the play. It’s not a groundbreaking plot element. And the beauty of this movie doesn’t boil down to a plot element from a play.”

A statement issued by Fox Searchlight (via The Hollywood Reporter) reads, “These claims from Mr. Zindel’s estate are baseless, wholly without merit and we will be filing a motion to dismiss. Furthermore, the estate’s complaint seems timed to coincide with the Academy Award voting cycle in order to pressure our studio to quickly settle. Instead, we will vigorously defend ourselves and, by extension, this groundbreaking and original film.”



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Comedy Central renews Drunk History for sixth season

The network announced on Thursday that it is renewing Drunk History for a sixth season.

The Derek Waters-hosted series that features inebriated retellings of underreported stories from our nation’s history will return with 16 episodes, which is up from the 13 episodes that comprise the currently airing season 5.

The season 5 premiere on Jan. 23 ranked as the No. 1 rated original series in the 10 p.m. timeslot among men 18-34. The show, um, historically, attracts an impressive assortment of celebrities, and season 5’s guest roster includes Jillian Bell, Jack Black, Josh Charles, Rob Corddry, Kat Dennings, Kirsten Dunst, Tony Hale, David Harbour, Brian Tyree Henry, Vanessa Hudgens, Johnny Knoxville, Jane Krakowski, Abbi Jacobson, Tatiana Maslany, Joel McHale, Mandy Moore, Bob Odenkirk, Jesse Plemons, Seth Rogen, Amber Tamblyn, Allison Tolman, and Weird Al Yankovic. Among the narrators who are willing to get tipsy/trashed before dishing out quirky history lessons: Tiffany Haddish, Rachel Bloom, Kyle Mooney, Randall Park, Questlove, and Mae Whitman.

After the first seven episodes of season 5 air, the show will go on hiatus, returning later this year with the final six episodes of the season.

Season 6 is slated to debut sometime next year.

Drunk History airs Tuesdays at 10 p.m. ET/PT.



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Oprah Winfrey makes Tiffany Haddish cry tears of joy

live on-air, by introducing her to her idol: Oprah Winfrey.

Winfrey appeared out of the blue during Haddish’s segment on Thursday’s episode of The Ellen DeGeneres Show, emerging to greet her with open arms and a wide grin. Haddish, who has spoken in the past about the influence Winfrey’s had on her life, proceeded to cry in happiness, warmly embracing the media mogul before settling some unfinished business. Indeed, Haddish had to know why Winfrey never wrote her back when she sent her a letter, long before she was a star. Winfrey admitted it was probably lost: “Never send a letter to me,” she emphasized with a smile.



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Jared Leto fights for his life in new trailer for Netflix's The Outsider

Leto stars as Nick Lowell, an American soldier imprisoned in Japan after World War II. His Yakuza cellmate helps to have him released, and Nick fights to earn a spot in the criminal organization in order to repay his debt.

Nick’s descent into the criminal underworld becomes increasingly more dangerous and violent as he fights for the Yakuza – and fights for his life. “In life, sometimes we fight the current, and other times it’s important to flow the river,” Leto intones in the trailer.

The Outsider is directed by Martin Zandvliet and produced by Art Linson, Kenneth Kao, and John Linson. Tadanobu Asano (Thor), Kippei Shiina, Shioli Kutsuna, Emile Hirsch (The Autopsy of Jane Doe, Bonnie and Clyde), Raymond Nicholson, Rory Cochrane (Argo), Nao Omori, and Min Tanaka star alongside Leto.



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What to Know About the Closing Ceremony for the 2018 Winter Olympics: When, Where and How to Watch

The 2018 Winter Olympic Games in PyeongChang, South Korea lasted just two weeks, beginning on Thursday, Feb. 8 (one day before the opening ceremony) and ending Sunday, Feb. 25.

The 2018 Winter Games didn’t disappoint, leaving us with exhilarating highlights from Nathan Chen’s history-making 6-quad jump routine, to Shaun White winning America’s 100th Winter Olympics gold medal. The total Olympic medal count for the U.S. so far comes in at 16 medals, with the U.S. winning six gold, four silver and six bronze medals. Aside from the medal wins, breakout stars of this year’s Olympics include Adam Rippon and Gus Kenworthy, who are being hailed as LGBTQ role models and athletes.

Another memorable moment we haven’t seen yet? American gymnast Simone Biles will carry the U.S. flag at the closing ceremony.

Here’s everything you need to know about PyeongChang’s closing ceremony, including when and where it will take place:

What time does the 2018 Olympics closing ceremony start?

The 2018 Winter Olympics closing ceremony will start Sunday, Feb. 25 at 6 a.m. E.T. Viewers can watch the closing ceremony as it happens in real time (PyeongChang is 14 hours ahead of the U.S.), but it won’t have any TV anchor commentary. The produced broadcast of the closing ceremony will air on NBC later Sunday night at 8 p.m. E.T.

There are also four final events you can watch before the closing ceremony kicks off, including men’s bobsledding, women’s cross-country skiing, women’s curling and men’s hockey.

How can I watch the Olympics closing ceremony?

Cable:

If you have a paid TV subscription you can catch the Olympic closing ceremony on NBC, NBC-owned channels and any NBC local affiliates, in addition to cable channels like CNBC, USA Network, and NBCSN. You can watch live as the ceremony is happening at 6 a.m. E.T. or wait until later for the produced and edited broadcast at 8 p.m. E.T. Check out the network’s official TV listings page if you aren’t sure which channel to tune into.

Without cable:

You can watch the Closing Ceremony livestream on NBCOlympics.com and the NBC Sports app on your computer, your smart phone, tablet or connected TV through devices like Amazon Fire, Apple TV, Chromecast and Roku, but you have to be an authenticated user or borrow someone else’s cable login to watch. The live streaming site and app also both include a library of Olympic highlights and additional video content you can check out beforehand.

It is still unclear whether or not NBC will air the closing ceremony for free for those without cable.

What will happen during the Olympics opening ceremony?

Most host countries use the Olympic closing ceremony to share their culture and heritage with the rest of the world, so you can expect to see performances showing off the best of what South Korea has to offer.

Olympic closing ceremonies are usually a show of international unity — as Olympic athletes from across the globe gather in the same stadium, representing the world coming together as “one nation” in a celebratory atmosphere, according to the Olympics website. (There have been other demonstrations of unity throughout the 2018 Winter Olympics including North and South Korea marching under the same flag during the Opening Ceremony.)

This year’s closing ceremony will take place at the PyeongChang Olympic Stadium, which was built specifically for the 2018 Winter Olympics and can hold around 35,000 spectators. President Donald Trump’s daughter, Ivanka, will be leading the U.S. presidential delegation at this year’s closing ceremony, according to NBC. White House press secretary Sarah Huckabee Sanders will also attend the ceremony.

Olympic host countries typically go all out for both the opening and closing ceremonies — and South Korea will likely be no different.

In 2012, the London Closing ceremony was jam packed with celebrity performances from fan favorites like the Spice Girls, Ed Sheeran, George Michael and One Direction, who paid tribute to English icons like the Beatles and Queen’s Freddie Mercury. When China made the Olympic hand off in 2008 to London, soccer star David Beckham kicked a ball into Bird’s Nest stadium and X-Factor’s Leona Lewis performed with Jimmy Page of Led Zeppelin.

Keeping with tradition, this year’s Olympic torch – which was lit back in October in ancient Olympia, Greece, to honor the birthplace of the Olympics games – will be passed on to Tokyo as the city prepares for the 2020 Summer Olympics.

Oh Jang-hwan, director of ceremonies for the PyeongChang 2018 organizing committee, discussed the ceremony’s theme in an article on the official Olympics website.

“The theme for the Closing Ceremony is “Next Wave.” It will have a festival atmosphere to recognize and celebrate the athletes’ hard work and achievements at the Games,” Jang-hwan said in the interview. “We have created a show that looks towards the future; it includes quite a lot of traditional Korean humor and fun elements to add to the party feel.”



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Lupita Nyong'o to star in film adaptation of Trevor Noah's memoir

As Black Panther dominates the box office and pop culture conversation, star Lupita Nyong’o has landed a new role. The Oscar-winner announced Tuesday that she will star in the film adaptation of Trevor Noah’s memoir, Born a Crime: Stories from a South African Childhood, playing The Daily Show host’s mother.

“When I read @Trevornoah’s Born A Crime, I could not put the book down,” the actress wrote on social media. “Excited to announce that I will be starring in and producing its feature film adaptation!”

Released in 2016, Noah’s New York Times best-seller chronicles his years growing up in Apartheid-era South Africa, where his existence as a half-back, half-white person was against the law. One the memoir’s true stories is his mother surviving being shot in the head by his stepfather. In fact, the memoir is more about Noah’s mother than Noah himself: “Foe of the status quo, her presence looms large over every page whether she’s mentioned or not, and by the end, Noah lovingly makes clear that this book belongs to her,” reads EW’s review of the book.

Nyong’o, who won an Oscar in 2014 for 12 Years a Slave, is currently starring in Black Panther as Nakia, the love interest of King T’Challa and a warrior in her own right.

The news was first reported by Deadline.



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Crazy Ex-Girlfriend's Santino Fontana to step into Hello Dolly! role

The Crazy Ex-Girlfriend star will be temporarily stepping into Broadway’s Tony-winning revival of Hello Dolly! in the role of Cornelius Hackl beginning Tuesday, March 13.

Fontana will replace Tony winner Gavin Creel in the role, while Creel recovers from back surgery. “Santino’s an amazing performer,” Creel said in a statement. “He’ll be absolutely wonderful in the part.”

Hello Dolly! won four 2017 Tony Awards, including best revival of a musical and a prize for headliner Bette Midler. Since January, Broadway greats Bernadette Peters and Victor Garber have stepped into the roles originated by Midler and David Hyde Pierce in this production.

Fontana is no stranger to Broadway musicals. Besides his song-and-dance skills showcased on Crazy Ex-Girlfriend and as the voice of Hans in Frozen, he was Tony nominated in 2013 for his role as Prince Charming in the revival of Rodgers and Hammerstein’s Cinderella.



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Wednesday, 21 February 2018

Ryan Reynolds now owns a liquor company

The company announced its new boss on Wednesday via Twitter, followed by a humorous tweet from the man behind Deadpool‘s mask.

“In the long and in no way disastrous marriage of showbiz and alcohol, so happy to announce I’m the proud owner of a gin company… @AviationGin,” he wrote.

In an official statement, he also noted, “If you think all gin tastes the same, you’d be mistaken. Aviation is in a completely different league and I couldn’t be prouder to be a part of the company.”

According to Aviation Gin, the actor will play an “active role in the day-to-day business” of the liquor company, overseeing creative direction “as part of his mission to introduce the world to the great taste of Aviation.”

“Ryan has worked tirelessly to create some of the world’s most iconic media properties and will bring that drive and creativity to sharing Aviation with the world,” said CEO of Davos Brands, Andrew T. Chrisomalis.

The actor also shared a photo of himself holding a bottle of gin accompanied by an ironic caption: “I own nothing in this photo. Except that gin company.”

I own nothing in this photo. Except that gin company. @aviationgin

A post shared by Ryan Reynolds (@vancityreynolds) on Feb 21, 2018 at 6:00am PST

Football player Joe Montana is also an investor in Aviation Gin — he backed the company in 2013.

Reynolds stars as Wade Wilson as the fan favorite hero Deadpool, Deadpool 2 hits theaters May 18.



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Kristen Bell to narrate Pandas documentary

The actress will narrate the upcoming IMAX documentary Pandas, about a group of researchers trying to introduce captive-born cubs into the wild. EW has an exclusive first look at the trailer and poster for the film, which follows a tiny young panda cub named Qian Qian from her early life at the Chengdu Panda Base in China to her first forays into the wild mountains of Sichuan.

The researchers’ goal? To help protect the declining wild panda population by introducing pandas like Qian Qian. For help and insight, the Chinese researchers team up with a New Hampshire black bear rehab facility on the other side of the globe, and the result is an adorable, family-friendly story chronicling how Qian Qian and her friends learn how to best be bears. (If the trailer is any indication, learning to be a panda involves a lot of falling down.)

David Douglas and Drew Fellman (who previously teamed up for Born to be Wild and Island of Lemurs: Madagascar) directed Pandas, which will open April 6 in select IMAX theaters.



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Hearts are broken and music is made in first Music City trailer

EW has an exclusive look at the first trailer for CMT’s new Nashville-set reality series.

The docuseries — brought to you by Adam DiVello, creator and EP of other municipal shows such as The Hills and The City — sees aspiring country stars and potential lovers Kerry, Rachyl, Jessica, Jackson, and Alisa pursue their music-making and romantic dreams under the bright lights of Nashville, Tennessee. As the logline says, these are “cool, sexy, fun, ambitious, confident, and, above all, deeply authentic adults” who are “faced with real choices that carry real stakes for their careers, their relationships, and their futures, as they navigate the rocky road on the journey of self-discovery.”

From the looks of the trailer, there’s plenty of the drama we’ve grown accustomed to in DiVello’s other shows, as couples can’t compromise, men tell lies, and above all things, music is made.



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Wyclef Jean remembers working with Destiny's Child: 'The work ethic was crazy'

“Before any hit,” he tells EW on the 20th anniversary of the pop group’s self-titled debut album, “before any No. 1, remember that I said, ‘They went from a dream to the young Supremes.’”

He met the then-foursome at a hotel their label had arranged. When he asked them to sing for him, the impression was enormous. “It felt real — and it felt raw,” he said. “There’s two kind of singers: There’s singers that sing and then there’s singers where when they sing you feel something. That’s a different kind of singing, and I felt it.”

He also did, for the record, call them the “young Supremes.” That’s a reference to his verse on the foursome’s debut single, “No, No, No,” which he also produced. The song peaked at No. 3 on the Billboard Hot 100 in 1998, and Jean, now 48, ended up taking Destiny’s Child on the road as his opening act.

He continues: When Destiny’s Child hit the arena, they were groomed and seasoned not to be a one-hit wonder but a touring act.”



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Netflix's Lost in Space reboot reveals first teaser trailer

Yes, we actually hear — but not see — the iconic Robot in the teaser trailer (above) for Netflix’s reboot of Lost in Space (and this version sounds creepy as hell).

We also get to meet the Robinson family and catch a glimpse of an ill-fated crash on a remote planet. Plus, there’s some backstory hinting that the pioneering family of space colonists left Earth due to some kind of planetary problem (see additional photos below).

The new series consists of 10 episodes and stars Toby Stephens (Black Sails) as expedition commander John Robinson, Molly Parker (Deadwood) as engineer Maureen Robinson, and Parker Posey (The House of Yes) as Dr. Smith.

The original Lost in Space premiered in 1965 and was created by legendary producer Irwin Allen. The family space drama ran for three seasons starting in 1965. The Netflix reboot premieres in May, just months after the streaming service launched another lavishly produced sci-fi drama, Altered Carbon.

Here’s the official description of the new series: “Set 30 years in the future, colonization in space is now a reality, and the Robinson family is among those tested and selected to make a new life for themselves in a better world. But when the new colonists find themselves abruptly torn off course en route to their new home they must forge new alliances and work together to survive in a dangerous alien environment, light-years from their original destination. Stranded along with the Robinsons are two outsiders who find themselves thrown together by circumstance and a mutual knack for deception. The unsettlingly charismatic Dr. Smith (Posey) is a master manipulator with an inscrutable end game. And the roguish, but inadvertently charming Don West (Ignacio Serricchio) is a highly-skilled, blue-collar contractor, who had no intention of joining the colony, let alone crash landing on a lost planet.”

Below are some new photos from the series:



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Gal Gadot, Mark Hamill, Lin-Manuel Miranda, and more to present at 2018 Academy Awards

Following the first announcement that included Tiffany Haddish and Emma Stone, producers Michael De Luca and Jennifer Todd revealed a second slate of presenters on Wednesday. The list includes Wonder Woman star Gal Gadot, whose film many believed deserved some Oscars love, but was shut out of all categories.

Other presenters include Star Wars: The Last Jedi actors Mark Hamill and Kelly Marie Tran, as well as multi-hyphenate Hamilton creator Lin-Manuel Miranda. Armie Hammer, Oscar Isaac, Zendaya, Gina Rodriguez, Eva Marie Saint, and Wes Studi will also present.

“Together, these artists represent some of the most beloved movies of our generation,” said De Luca and Todd in a release. “It’s an honor to welcome them to the 90th Oscars stage.”

The 90th Academy Awards, hosted by Jimmy Kimmel, will air on March 4 at 8 p.m. ET on ABC.



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Miley and Noah Cyrus meet Paolo from The Lizzie McGuire Movie in an unexpected Disney crossover

Over the weekend, Noah Cyrus shared a picture of herself, sister Miley, and Yani Gellman, a.k.a. Paolo from The Lizzie McGuire Movie. (Gellman has also had roles on Pretty Little Liars and iZombie.)

The sisters posed for multiple photos with the pop star impostor, including a snap of them giving him sweet smooches. Noah posted the pics on Instagram with the caption, “Sing to me Paolo,” the famous line Lizzie’s doppelganger Isabella delivers in the movie.

Sing to me Paolo @yanigellman @mileycyrus

A post shared by NC (@noahcyrus) on Feb 17, 2018 at 7:53pm PST

Noah and Miley, who also famously got her start on the Disney Channel with Hannah Montana, continued to fangirl by posting a rendition of The Lizzie McGuire Movie theme song, “What Dreams Are Made Of,” as an Instagram story. Have you ever seen such a beautiful sight?

Earlier this month, Noah Cyrus released her latest single, “We Are…” featuring MØ. Miley recently hit the Grammys stage with Elton John to perform his famous hit “Tiny Dancer.”



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Tuesday, 20 February 2018

Dakota Fanning makes directorial debut with 'Hello Apartment' short film

“Hello Apartment” turns the physical setting of a Brooklyn-based loft into the protagonist, bearing witness to the personal history of its inhabitant and how it becomes a sponge for her experiences.

The short was written by Liz Hannah, who grabbed headlines for co-writing Steven Spielberg’s Oscar-nominated The Post.

“I’ve lived in the same apartment for seven years,” Fanning, whose own apartment inspired the short, told Elle. “I moved to New York City when I was 17 years old. My mom lived with me, and then when I turned 18, she moved out and I was totally on my own.”

“I wonder about the marks we leave behind and the scars we leave behind,” she added. “Do apartments absorb them?”

Fanning is by far not the first actress to get bit by the directing bug. Jordan Peele and Greta Gerwig, both actors-turned-filmmakers, have earned acclaim and buzz for their respective directing debuts, Get Out and Lady Bird. This year also saw actor Paul Dano’s first feature, Wildlife, premiere at Sundance.

Fanning will continue acting with roles in Ocean’s 8 and Kirsten Dunst’s The Bell Jar (another actor who moved behind-the-camera), but she says, “I would like to direct again, very much.”



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The Walking Dead: Norman Reedus says 'closure' is coming

Ever since they came across that lunatic with the barbed wire-covered baseball bat, their idyllic post-apocalyptic community has been ravaged, looted, and now bombed to high hell. The survivors are currently hiding in a sewer as they wait for the latest assault by Negan and the Saviors to cease.

But the war cannot last forever. In fact, it finally will be winding down when The Walking Dead returns with the second half of season 8 on Feb. 25. And that means we will finally get answers, and, according to star Norman Reedus, closure.

“It’s all resolution,” says Reedus about the final eight episodes of the season. “It’s all the tying up of these ends of what’s laid out in front of us in all these different directions. There’s a lot of closure coming in the back eight, which is great. There’s been all this action and all the fighting and all these different factions that have been splitting off in these different directions, and it all kind of comes together in the end with closure in several different avenues. Some wrap up the way you think. Some wrap up not the way you think. It’s all kind of a surprise where it all comes from.”

Reedus’ comments match what showrunner Scott M. Gimple told us last summer, that the war would end in season 8, but it’s interesting to note that Reedus hints there may be a little misdirection in the mix in terms of how that ending comes about. Does that mean the show will continue to make big changes from the comics — like the impending death of Carl? Could there be other additional casualties we may not be expecting? Only time will tell. We also spoke to Reedus about the evolution of Daryl Dixon and what else to expect when TWD returns.

ENTERTAINMENT WEEKLY: I noticed Daryl and Rick were in every episode in the first half of the season. Does that continue in the second half? Are they keeping you busy?
NORMAN REEDUS: I think in some of those episodes I’m in it for five seconds. Andy’s all over it. It’s a lot of Andy’s story this year — it’s probably 80 percent Rick Grimes’ story, to be honest. There’s still a lot more with that to come. A lot of things he’s dealing with certain characters and stuff. It’s a lot of Rick Grimes and Maggie.

But that seemed to be a pretty conscious decision to put a lot of the old school characters like Daryl back front and center in season 8.
Yeah, there’s a lot of Daryl stuff. There’s some really good Daryl stuff coming up with some of the characters he’s been going toe to toe with. I love the way some of those stories get wrapped in the end. There’s a real beauty to it. It’s not exactly the way that you think, and then it kind of is at the same time. It wraps up in a very poetic way. There are several different stories happening and everyone has their nemesis, but we don’t have the same storyline. They all kind of end differently, which is really refreshing.

What you end up with is a very wise leader instead of just a soldier that’s willing to do anything. He’s learning from his mistakes. He’s learning from other people’s mistakes, and the common goal is, how do we go forward? How do we live together and how do we go forward? Sometimes you need to take an outsider, like a Daryl, and he ends up being the one that inherits all the traits of somebody that can lead.

Does he blame himself for the Saviors getting out of the Sanctuary?
No, I don’t think he blames himself. I think there are a couple of moments when we find out what happened with Carl and he asks about it. He’s like, “Did this happen because of what I did?” I think if that would’ve turned out to be his fault he probably would’ve lost his mind, but it wasn’t his fault. That happened in a totally different area at a totally different time, so I think he was very concerned about that in particular — especially after what happened with Glenn and what happened with Abraham.

Does he regret it right now? No. I think they’re all going towards the same mission right now. We’ve had a lot of hotheads on the show. We had Sasha running in there trying to take them out herself. We had Michonne do it. We had pretty much every woman in our cast try to do it themselves all by themselves. If you think about, lots of last year was the boys sitting around crying and the girls were all kicking ass, so it’s not like that hasn’t happened before — somebody has an idea and they’re like, “We need to do this now.”

I think, as a person, Daryl is growing into a wiser leadership role. He’s got the experience. There are some things that you learn with experience. He’s got street smarts in a zombie apocalypse, and I think having those smarts sometimes will make you the leader. In a dirty fight, you want somebody with street sense.

As we go ahead, it looks like one of the questions that the characters are asking themselves a lot is: at what cost? What are the lines we should not cross to achieve victory? Where does Daryl fall in that now, especially after shooting that Savior Rick had promised to let go? Is there a line for him now where he thinks, “I won’t cross this.”
I think his main goal is to protect the people in his camp. Shooting a stranger in the face to get that goal, he thinks it’s worth it. I think that’s some of that dirty fighting street knowledge that he’s throwing around. Rick wants his people to survive, but he also wants to save everyone else. He’s like, “The stranger over there, that’s a worker. He’s got to be part of it.”

Daryl’s more like, “No, no. This is our group and we need to keep these people safe.” He’s almost more loyal in a way to what’s around him because these people kind of turned him into something they need to be proud of. I think that’s his family. I don’t think he has a messiah complex; he’s just doing what he needs to do. That’s part of that street stuff.

If they weren’t in a big war, I don’t think he’d just go around shooting people in the face, but they’re out there, there’s a war going on, and war’s dirty. You have to have that dirty fighting street sense to get through something like that. I think sometimes Rick, his desire to save everyone sometimes can be seen as weak to Daryl. When Daryl and Rick come to blows fist to fist, that’s what that is. He doesn’t love him any less, but he’s like, “You’re being weak. You need to step up.” They’re both right.

For more Walking Dead scoop, follow Dalton on Twitter @DaltonRoss.



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Olympic Ice Dance Skating Sets New Records, While Hitting Emotional Highs and Lows

Canada’s Tessa Virtue and Scott Moir earned gold, their second Olympic title, which makes them the most decorated Olympic athletes in their discipline, earning five Olympic medals in their three appearances at the Games (in addition to the two golds, they own another gold from the team event in PyeongChang and two silvers from the ice dance and team event in Sochi). In the short program part of the event in Korea, they set a new record for the highest overall score recorded.

France’s Gabriella Papadakis and Guillaume Cizeron skated a haunting program to Moonlight Sonata, winning the free skate portion and setting a new record for the highest free dance score (breaking their own record set a few months earlier) which gave them a total score of 205.28 when combined with their short program scores, just behind Virtue and Moir’s 206.07.

Read more: We Could See An Incredible Olympic Ice Dancing Achievement Tonight

The U.S. sister-brother team of Maia and Alex Shibutani clinched bronze, their first Olympic medal in two Olympic appearances, while teammates Madison Hubbell and Zachary Donohue finished in fourth. After an uncharacteristic fall, the other U.S. team of Madison Chock and Evan Bates finished in ninth place.

“We skated our asses off and we’ve got to be proud of that,” says Moir of their gold-medal winning effort. Beyond effort, the winning pair have chemistry. “After twenty years together,” says their coach, Marie-France Dubreuil, “with eyes closed they each know what the other is doing.”

The podium in ice dance is becoming a home-coming of sorts, since so many teams currently or used to train together. Virtue and Moir now train with Papadakis and Cizeron in Montreal with Marie-France Dubreuil, Patrice Lauzon and Romain Haguenauer, and the Canadians used to train with the Shibutanis in Detroit.

The top three teams were a demonstration in how diverse and stylistic the sport of ice dance has become. In the days when eastern European teams dominated the discipline, most teams were indistinguishable from the other, trying to outdo one another on outlandish costumes but still sticking to the same formula of moves and music.

Virtue and Moir, Papadakis and Cizeron, and the Shibutanis couldn’t be more different. Virtue and Moir, known for their precision and sharpness, skated two high energy programs that capitalized on Moir’s outgoing personality and Virtue’s quiet power, while Papadakis and Cizeron’s free skate highlighted their remarkable ability to glide silently across the ice as if they were floating on air rather than on 4 mm wide blades. The Shibutanis showed that romantic chemistry isn’t a necessity for winning an ice dance medal, despite what many had told them throughout their career.

“Along the way in our career there have been a lot of people who told us that maybe siblings shouldn’t be a team,” says Maia as she tears up. “But we believed in ourselves and we accomplished this together and are so proud of all the work we have done.”

The Shibutanis were disappointed with their fourth place finish after the short program, but returned to the Olympic Village and watched old family videos of themselves when they were younger, “just dancing around together, having a good time,” says Alex, as both he and Maia become emotional over the memory. “The family bond we have, it’s a strength no other team in this event has. For all the people who think it’s a deficit to skate as siblings, we’ve made it our strength.”

The Shibutanis, who are the first skaters of Asian descent to win Olympic medals in ice dance, hope that their example breaks down some of the stereotypes against sibling teams in ice dance, and opens the sport up to new types of partnerships and more creative ways of growing the discipline. “It’s so limiting to be labeled as one thing,” says Alex. “It’s almost insulting to the discipline of ice dance where it’s grouped into ‘oh it’s romantic or oh it’s sensual.’ That’s not fair to ice dance, and probably hurting ice dance’s feelings. Ice dance wants to be whatever it can be. We are all put here to hopefully find something we are passionate about and hopefully connect in some way to the people around us.”

The Shibutanis coach, Marina Zueva, agrees that the passion ice dancers express — and judges reward — doesn’t always have to be of the romantic variety. “There are different forms of passion,” she says. “Passion does not have to be like love passion. Passion can be between them and their warmth, and how they reach their goal.”

Papadakis and Cizeron, who earned two world championship titles since the 2014 Olympics, train with the Canadian team in Montreal, and credited the proximity with their strongest rivals with improving their skating. “It’s never been easy. Looking back [training with Tessa and Scott] really made us improve in a way that wouldn’t be possible if we trained alone,” says Cizeron. “We kept pushing each other and we think that was for the best.”

Papadakis agreed, admitting to a wave of emotions after the skate. “We knew it was possible and we wanted [the gold]. But we did our best and we have nothing to regret. I am very moved right now and think I’d start to cry if you tell me that the dog of your grandmother died. There are lots of emotions coming out right now. But we couldn’t have skated better. It was amazing to deliver what we did today for our first Olympics.”

While the Shibutanis relished their first Olympic medal, snapping selfies with their coach and running their hands along the Olympic ice before leaving the rink, their teammates Madison Chock and Evan Bates were struggling to make sense of a fluke mistake that left both of them tumbling during their routine. As the pair entered a combination spin, somehow they clicked blades and fell sprawling to the ice.

“As soon as it happened I couldn’t believe that our butts were on the ice where our skates were supposed to be,” says Chock, holding back tears. Igor Shpilband, their coach, says the entry into the spin is challenging, since Chock is required to jump into it, but it’s not something they have ever tripped up on in their training — ever. “When you go for a difficult element there is a chance you can mess up, but this is not something they ever made a mistake on ever. It’s the last place you expect a mistake to happen,” he says.

As grand a stage as the Olympics are, for competitors it is, after all, just another competition. And while for some the Games represent a culmination of a career, for Chock and Bates it’s just the beginning. They are already planning to redeem themselves at next month’s world championships in Milan, Italy. “We will go home, train and put out the performances we wanted to put out here,” says Chock.



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